Lot was sold
Lot 106 | Damien Hirst | What Goes Up Must Come Down (for Parkett 40/41)
Estimate
2.000
- 3.000
€
D F
Result:
(incl. premium)
9.240 €
Hirst, Damien
1965 BRISTOL
Title: What Goes Up Must Come Down (for Parkett 40/41).
Date: 1994.
Technique: Ping pong ball, hairdryer and plexiglass cylinder.
Measurement: 30 x 30 x 30cm.
Notation: Signed and numbered on enclosed edition label.
Publisher: Parkett-Verlag, Zurich (publisher).
Number: PP 1.
Condition:
A minimal particle of dirt on the plexiglass cylinder. Otherwise the work is in very good condition.
One of 8 PP copies outside the edition of 30 copies numbered in Arabic numerals and 15 copies numbered in Roman numerals. With the hair dryer switched on, the ping pong ball is held in the air.
With enclosed edition label. With Parkett magazine.
"The revolutionary geometrical ideal of the twentieth century plays the same role for Damien Hirst that the classical norm played for nineteenth century decadent art. Hirst is primarily interested in the injuries inflicted upon living reality by the canon of geometric form, that is, the violence and terror that emanate from this canon."
Boris Groys, Parkett no. 40/41, 1994.
article on work and artist from Parkett edition no. 40/41.
1965 BRISTOL
Title: What Goes Up Must Come Down (for Parkett 40/41).
Date: 1994.
Technique: Ping pong ball, hairdryer and plexiglass cylinder.
Measurement: 30 x 30 x 30cm.
Notation: Signed and numbered on enclosed edition label.
Publisher: Parkett-Verlag, Zurich (publisher).
Number: PP 1.
Condition:
A minimal particle of dirt on the plexiglass cylinder. Otherwise the work is in very good condition.
One of 8 PP copies outside the edition of 30 copies numbered in Arabic numerals and 15 copies numbered in Roman numerals. With the hair dryer switched on, the ping pong ball is held in the air.
With enclosed edition label. With Parkett magazine.
"The revolutionary geometrical ideal of the twentieth century plays the same role for Damien Hirst that the classical norm played for nineteenth century decadent art. Hirst is primarily interested in the injuries inflicted upon living reality by the canon of geometric form, that is, the violence and terror that emanate from this canon."
Boris Groys, Parkett no. 40/41, 1994.
article on work and artist from Parkett edition no. 40/41.
Contact:
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Conditions of this Lot
VAT margin scheme, VAT included, but must not be indicated, not refundable
32% buyer’s premium on the hammer price
32% buyer’s premium on the hammer price
Droit de suite
plus artist resale right fee of 1.5% on the hammer price up to € 200,000
Estimated shipping costs for this lot:
Arrangement after the auction.
Similar works in the auction
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Damien Hirst England Young British Artists Contemporary Art Multiples 1990s Energy Multiple Mixed media Space
Stock Id: 77046-44
