Lot was sold
Lot 103 | Max Slevogt | Nini auf der Mauer (also: Bildnis einer Dame im Freien, Nini)
Estimate
20.000
- 30.000
€
D
Result:
(incl. premium)
26.400 €
SLEVOGT, MAX
1868 Landshut - 1932 Neukastel
Title: Nini auf der Mauer (also: Bildnis einer Dame im Freien, Nini).
Date: 1899.
Technique: Oil on canvas.
Mounting: Laid down on wooden panel.
Measurement: 100 x 75cm.
Notation: Signed and dated lower left: Max Slevogt 99.
Frame/Pedestal: Framed.
The painting was restored at an earlier date. We thank Dr. Karoline Feulner, Landesmuseum Mainz, Max Slevogt Research Center, for her kind, scientific support.
Provenance:
- Estate of the artist (since then in the possession of the descendants)
Exhibitions:
- Berlin Secession, Berlin 1900
- Max Slevogt Galerie - Schloss Villa Ludwigshöhe, Mainz 2017/19 (permanent loan)
Literature:
- Exhib. cat. Zweite Kunstausstellung der Berliner Secession, Berlin 1900, no. 266 (here titled: Freilichtstudie)
- Müller, Georg (ed.): Max Slevogt - 96 Reproduktionen nach seinen Gemälden - Mit einem Vorwort von Karl Voll, Munich/Leipzig 1912, cat. no. 33, n. pag., ill. (here titled: Freilichtstudie)
- Wilhelm Hausenstein: Slevogt, in: Kunst und Künstler XVII, Berlin 1919, p. 9, ill.
- Emil Waldmann: Max Slevogt, Berlin 1923, p. 79, ill.
- Goering, M. (ed.): Max Slevogt - Sechzig Bilder, Königsberg 1941, n. pag., ill.
- Exhib.-Cat. Berlin, Place of Freedom for Art, National Gallery Berlin, 1960, no. 20
- Imiela, Hans-Jürgen: Max Slevogt - Eine Monographie, Karlsruhe 1968, cat. no. 20, p. 51, ill.
- Max Slevogt is, besides Lovis Corinth and Max Liebermann, the most important representative of German Late Impressionism
- Wonderful example of atmospheric plein air painting in light-flooded colours
- The painting has been in the artist's family since its creation and is now offered on the art market for the first time.
1868 Landshut - 1932 Neukastel
Title: Nini auf der Mauer (also: Bildnis einer Dame im Freien, Nini).
Date: 1899.
Technique: Oil on canvas.
Mounting: Laid down on wooden panel.
Measurement: 100 x 75cm.
Notation: Signed and dated lower left: Max Slevogt 99.
Frame/Pedestal: Framed.
The painting was restored at an earlier date. We thank Dr. Karoline Feulner, Landesmuseum Mainz, Max Slevogt Research Center, for her kind, scientific support.
Provenance:
- Estate of the artist (since then in the possession of the descendants)
Exhibitions:
- Berlin Secession, Berlin 1900
- Max Slevogt Galerie - Schloss Villa Ludwigshöhe, Mainz 2017/19 (permanent loan)
Literature:
- Exhib. cat. Zweite Kunstausstellung der Berliner Secession, Berlin 1900, no. 266 (here titled: Freilichtstudie)
- Müller, Georg (ed.): Max Slevogt - 96 Reproduktionen nach seinen Gemälden - Mit einem Vorwort von Karl Voll, Munich/Leipzig 1912, cat. no. 33, n. pag., ill. (here titled: Freilichtstudie)
- Wilhelm Hausenstein: Slevogt, in: Kunst und Künstler XVII, Berlin 1919, p. 9, ill.
- Emil Waldmann: Max Slevogt, Berlin 1923, p. 79, ill.
- Goering, M. (ed.): Max Slevogt - Sechzig Bilder, Königsberg 1941, n. pag., ill.
- Exhib.-Cat. Berlin, Place of Freedom for Art, National Gallery Berlin, 1960, no. 20
- Imiela, Hans-Jürgen: Max Slevogt - Eine Monographie, Karlsruhe 1968, cat. no. 20, p. 51, ill.
- Max Slevogt is, besides Lovis Corinth and Max Liebermann, the most important representative of German Late Impressionism
- Wonderful example of atmospheric plein air painting in light-flooded colours
- The painting has been in the artist's family since its creation and is now offered on the art market for the first time.
Contact:
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Conditions of this Lot
VAT margin scheme, VAT included, but must not be indicated, not refundable
32% buyer’s premium on the hammer price
32% buyer’s premium on the hammer price
Estimated shipping costs for this lot:
Arrangement after the auction.
Similar works in the auction
Max Slevogt Germany Munich Secession Modern Art 1890s Framed Woman Painting Oil Portrait
Max Slevogt Germany Munich Secession Modern Art 1890s Framed Woman Painting Oil Portrait
Stock Id: 76642-1