Lot was sold
Lot 90 | Nan Goldin | Lambs Ears (for Parkett 57)
Estimate
2.000
- 4.000
€
D F
Result:
(incl. premium)
2.640 €
GOLDIN, NAN
1953 Washington D.C.
Title: Lambs Ears (for Parkett 57).
Date: 1999.
Technique: Cibachrome.
Depiction Size: 40,5 x 60cm.
Sheet Size: 51 x 61cm.
Notation: Signed, dated, numbered and titled (verso).
Publisher: Parkett-Verlag, Zurich (publisher).
Number: 3/60.
Frame: Framed.
Condition:
Due to printing irregularities in the right margin. Minimal horizontal scratches (due to the manufacuring process?). Verso mounted. Otherwise in very good condition.
With Parkett magazine.
"The states of subjectivity in Goldin's work are achieved by closing in on her subjects, sometimes almost to the point of addictive hallucination. Looking in the mirror. Lying in bed. Being alone. Being together. Dressing to go out. Hanging out in a bar. Talking. Sleeping. Crying. Kissing. The actions or feelings, the joys or sorrows, shown in the pictures relate neither to professional activity nor to public life: There's no school, shopping mall, or work, no doctors or teachers. Enemies have been removed. It is striking how the faces and their gazes, whether or not they are looking towards the lens, or the bodies, naked or dressed, evoke so little of our common cultural heritage."
Elisabeth Lebovici, Parkett no. 57, 1999.
Artikel zu Werk und Künstler aus Parkett Edition Nr. 57.
Nan Goldin is one of the most important contemporary artists of her generation. The artist has received the Käthe Kollwitz Prize. Her documentary was nominated for an Oscar in 2023 and won the Venice Film Festival's Golden Lion for Best Documentary of the Year. Goldin recently joined Gagosian.
1953 Washington D.C.
Title: Lambs Ears (for Parkett 57).
Date: 1999.
Technique: Cibachrome.
Depiction Size: 40,5 x 60cm.
Sheet Size: 51 x 61cm.
Notation: Signed, dated, numbered and titled (verso).
Publisher: Parkett-Verlag, Zurich (publisher).
Number: 3/60.
Frame: Framed.
Condition:
Due to printing irregularities in the right margin. Minimal horizontal scratches (due to the manufacuring process?). Verso mounted. Otherwise in very good condition.
With Parkett magazine.
"The states of subjectivity in Goldin's work are achieved by closing in on her subjects, sometimes almost to the point of addictive hallucination. Looking in the mirror. Lying in bed. Being alone. Being together. Dressing to go out. Hanging out in a bar. Talking. Sleeping. Crying. Kissing. The actions or feelings, the joys or sorrows, shown in the pictures relate neither to professional activity nor to public life: There's no school, shopping mall, or work, no doctors or teachers. Enemies have been removed. It is striking how the faces and their gazes, whether or not they are looking towards the lens, or the bodies, naked or dressed, evoke so little of our common cultural heritage."
Elisabeth Lebovici, Parkett no. 57, 1999.
Artikel zu Werk und Künstler aus Parkett Edition Nr. 57.
Nan Goldin is one of the most important contemporary artists of her generation. The artist has received the Käthe Kollwitz Prize. Her documentary was nominated for an Oscar in 2023 and won the Venice Film Festival's Golden Lion for Best Documentary of the Year. Goldin recently joined Gagosian.
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Conditions of this Lot
VAT margin scheme, VAT included, but must not be indicated, not refundable
32% buyer’s premium on the hammer price
32% buyer’s premium on the hammer price
Droit de suite
plus artist resale right fee of 1.5% on the hammer price up to € 200,000
Estimated shipping costs for this lot:
Germany: 77,31 Euro plus 14,69 Euro VAT
EU: 100,84 Euro plus 19,16 Euro VAT
Worldwide: 159,66 Euro plus 30,34 Euro VAT
additional shipping insurance
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Stock Id: 77046-178